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I didn’t really want to see this movie. My friends did. *grin* Anyway Benicio Del Toro and Anthony Hopkins are in it. It’s about werewolves. Some scenes were gory. Anthony Hopkins’ acting was top notch as usual. Benicio was good too. The plot was a bit weak. Benicio always reminded me of a Spanish Brad Pitt. hehe. If you like werewolves, lycanthropy, then you’ll like this movie. I think we would have been better off waiting to watch “Shutter Island.” heh. Wolfman takes place in England 1891. The special effects were good. It wasn’t a long movie. I give it a B-.

Here’s Roger Ebert’s review of it: Roger Ebert’s review

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Well I just came back from watching this movie. It was pretty good. I’ve never read any of the Sherlock Holmes books that I can recall. I do recall seeing other Sherlock Holmes movies on TV though. I think I might have read one book. I’m familiar with them, so I think I’ve read some books when I was younger.

This version was stellar. Robert Downey Jr. as Sherlock Holmes was amazing. He played the role convincingly well. And Jude Law as Dr. Watson was amazing as well. The chemistry between them was awesome. They worked very well with each other. I imagine there will be a sequel. The special effects were great. The action was pumped up. Holmes’ and Watson’s deductive reasoning skills were top-notch. It was a really good film and it was PG-13.

But my memory of Sherlock Holmes wasn’t one of a teetotaler or drug user. That was new to me. Also I didn’t recall him as a fighter. But this one is.

You can rent it on DVD if you’d like, but I think you’d enjoy it more on the big screen.

I give the movie 4 out of 5 stars.

Here’s Roger Ebert’s review of it: http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20091223/REVIEWS/912239991

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I’ve been watching a lot of anime lately, particularly all of Hayao Miyazaki’s films. Like “Princess Mononoke,” “Nausicaa: Valley of the wind,” and “Laputa: Castle in the Sky.” All great anime.

Miyazaki’s themes are pacifism, harmony with nature, flying aircraft, floating castles, etc.

These are all themes that can be found in James Cameron’s “Avatar.”

So I decided to do some research. Because after watching “Avatar,” I was like Cameron who wrote the script must have watched a Miyazaki film or all of them. Moreover, he must have watched all kinds of anime, but especially Miyazaki films.

Anyway I checked his IMDB page and Cameron does indeed watch anime: “He is a huge Japanese anime fan, and the releasing studios often uses his opinion about the film on the DVD and VHS covers.”

If Miyazaki made a live action film, it would be something like Avatar.

I mean Cameron used all Miyazaki elements. Floating Mountains, harmony with the planet, advanced flying aircraft, pacifism.

I KNEW IT!

After watching Avatar I was like so sure that Cameron watched Miyazaki and other anime.

I like when I’m right.

In the future I will review the anime I’ve watched too.

Just had to say this :D

It would be awesome if Miyazaki had the 300 million budget to make a live action film instead of an anime. But his anime films are awesome as well.

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I saw this movie on Monday. I haven’t had time to review it until now. It’s a very long movie. 163 minutes. That’s almost three hours. It’s from the Director James Cameron known for his blockbuster hit, “Titanic.” It’s reported that he spent between 250 – 300 million to make Avatar. It takes place in 2154 on a moon called Pandora. Earth humans are there to mine a certain rock that’s very valuable back on earth. The humans are plundering the planet. The planet is home to the Na’vi. They’re 12 feet tall, golden eyed creatures who are very in touch with their planet. They’re in harmony with the forests and wildlife there. Their only weapons are bows and arrows. The Na’vi are very much like the native American Indians here in the United States. Anyway the humans were able to clone the Na’vi and use them as avatars. These clones are controlled by humans. The avatar goes to sleep when the humans get out of the special chamber they are in to control them. I think that’s enough plot setting for now. I don’t want to give it away. The story centers mostly around the character Jack Sully who controls a Na’vi avatar.

I think James Cameron is a fan of Hayao Miyazaki. Because this film could have been a Miyazaki one. The same themes of pacificism and harmony with the planet and not destroying or polluting the planet’s natural resources and wildlife are found in Avatar, as they are found in Miyazaki films. This film reminded me of Princess Mononoke and Nausicaa:Valley of the winds and Laputa:Castle in the Sky. Cameron even made floating mountains. I really believe Cameron watched some Miyazaki films.

From Wikipedia:
Avatar is a 2009 science fiction film written and directed by James Cameron, and starring Sam Worthington, Zoe Saldaña, Sigourney Weaver and Stephen Lang. The film was produced and distributed by 20th Century Fox.

The film begins in the year 2154 and focuses on an epic conflict on Pandora, an inhabited Earth-sized moon of Polyphemus, one of the three fictional gas giants orbiting Alpha Centauri A. On Pandora, human colonists and the sapient humanoid indigenous inhabitants of Pandora, the Na’vi, engage in a war over the planet and the latter’s continued existence. The film’s title refers to the remotely controlled, genetically engineered human-Na’vi bodies used by the film’s human characters to interact with the natives.[4]

Avatar had been in development since 1994 by Cameron, who wrote a 114-page scriptment for the film.[5] Filming was supposed to take place after the completion of Titanic, and the film would have been released in 1999, but according to Cameron, “technology needed to catch up” with his vision of the film.[6][7] In early 2006, Cameron developed the script, the language, and the culture of Pandora.[8] He has stated that if Avatar is successful, two sequels to the film are planned.[9]

The film was released in traditional 2-D and 3-D formats, along with an IMAX 3D release in selected theaters. Avatar is officially budgeted at $237 million;[2] other estimates put the cost at $280 – $310 million to produce and an estimated $150 million for marketing.[10][11][12] The film is being touted as a breakthrough in terms of filmmaking technology, for its development of 3D viewing and stereoscopic filmmaking with cameras that were specially designed for the film’s production.[13] Opening to critical acclaim, it grossed an estimated $27 million on its opening day and an estimated $77,025,481 domestically its opening weekend.[14] Worldwide, the film grossed an estimated $232,180,000 its opening weekend,[15] the ninth largest opening-weekend gross of all time, and the largest for a non-franchise, non-sequel and original film.[3] It is also considered to be a front-runner for awards and nominations at the 82nd Academy Awards.

——

I saw it in 3D. The special effects and the fighting sequences were amazing. Cameron used even special types of hovering aircraft and robotic weaponry that can be seen in Miyazaki films and other anime. I truly believe Cameron has watched anime. hehe.

It was a long film, an interesting one, and one that kept my attention riveted. I’ll go see the sequels when they come out. Great film. I give it 5 out of 5 stars. Best film I’ve seen all year in the theaters. I want to go see it again.

Here’s Robert Ebert’s review of it:
http://bit.ly/7ezcIN

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Roger Ebert’s Movie Review

2012

BY ROGER EBERT / November 12, 2009

Cast & Credits
Jackson Curtis – John Cusack
Kate Curtis – Amanda Peet
Adrian Helmsley – Chiwetel Ejiofor
Carl Anheuser – Oliver Platt
Charlie – Woody Harrelson
President – Danny Glover
Laura Wilson – Thandie Newton

Columbia Pictures presents a film directed by Roland Emmerich. Written by Emmerich and Harald Kloser. Running time: 158 minutes. Rated PG-13 (for intense disaster sequences, some strong language and apocalyptic violence).

It’s not so much that the Earth is destroyed, but that it’s done so thoroughly. “2012,” the mother of all disaster movies (and the father, and the extended family) spends half an hour on ominous set-up scenes (scientists warn, strange events occur, prophets rant and of course a family is introduced) and then unleashes two hours of cataclysmic special events hammering the Earth relentlessly.

This is fun. “2012″ delivers what it promises, and since no sentient being will buy a ticket expecting anything else, it will be, for its audiences, one of the most satisfactory films of the year. It even has real actors in it. Like all the best disaster movies, it’s funniest at its most hysterical. You think you’ve seen end-of-the-world movies? This one ends the world, stomps on it, grinds it up and spits it out.

It also continues a recent trend toward the wholesale destruction of famous monuments. Roland Emmerich, the director and co-writer, has been vandalizing monuments for years, as in “Independence Day,” “The Day After Tomorrow” and “Godzilla.” I still hold a grudge against him for that one because he provided New York with a Mayor Ebert and didn’t have Godzilla step on me and then squish me.

In all disaster movies, landmarks fall like dominos. The Empire State Building is made of rubber. The Golden Gate Bridge collapses like clockwork. Big Ben ticks his last. The Eiffel Tower? Quel dommage!

Memo to anyone on the National Mall: When the Earth’s crust is shifting, don’t stand within range of the Washington Monument. Chicago is often spared; we aren’t as iconic as Manhattan. There’s little in Los Angeles distinctive enough to be destroyed, but it all goes, anyway.

Emmerich thinks on a big scale. Yes, he destroys regular stuff. It will come as little surprise (because at this writing the film’s trailer on YouTube alone had more than 7,591,413 views) that the aircraft carrier John F. Kennedy rides a tsunami onto the White House. When St. Peter’s Basilica is destroyed, Leonardo’s God and Adam are split apart just where their fingers touch (the ceiling of the Sistine Chapel having been moved into St. Peter’s for the occasion). Then when Emmerich gets warmed up, the globe’s tectonic plates shift thousands of miles, water covers the planet, and a giraffe walks aboard an ark.

Also on board are the humans chosen to survive, including all the characters who have not already been crushed, drowned or fallen into great crevices opening up in the Earth. These include the heroic Jackson Curtis (John Cusack) and his estranged wife, Kate (Amanda Peet); President Wilson (Danny Glover), his chief science adviser, Adrian Helmsley (Chiwetel Ejiofor), and his chief of staff, Carl Anheuser (Oliver Platt).

Many gigantic arks have been secretly constructed inside the Himalayas by the Chinese, funded by a global consortium, and they’re the only chance of the human race surviving. Along with the animals on board, there’s the maybe well-named Noah (Liam James). In theory, ark ticketholders represent a cross-section of the globe, chosen democratically. In practice, Carl Anheuser pulls strings to benefit the rich and connected, and wants to strand desperate poor people on the dock. I’m thinking, Emmerich often has a twist when he names villains, like Mayor Ebert from “Godzilla.” So how did this villain get his name? What does “Anheuser” make you think of?

Such questions pale by comparison with more alarming events. The tectonic plates shift so violently scientists can almost see them on Google Earth. This havoc requires stupendous special effects. Emmerich’s budget was $250 million, and “2012″ may contain more f/x in total running time than any other film. They’re impressive. Not always convincing, because how can the flooding of the Himalayas be made convincing? And Emmerich gives us time to regard the effects and appreciate them, even savor them, unlike the ADD generation and its quick-cutting Bay-cams.

Emmmerich also constructs dramatic real-scale illusions, as when an earthquake fissure splits a grocery store in half. Cusack is the hero in an elaborate sequence involving his desperate attempts to unblock a jammed hydraulic lift that threatens to sink the ark. He does a lot of heroic stuff in this film, especially for a novelist, like leaping a van over a yawning chasm and riding a small plane through roiling clouds of earthquake dust.

The bottom line is: The movie gives you your money’s worth. Is it a masterpiece? No. Is it one of the year’s best? No. Does Emmerich hammer it together with his elbows from parts obtained from the Used Disaster Movie Store? Yes. But is it about as good as a movie in this genre can be? Yes. No doubt it will inflame fears about our demise on Dec. 21, 2012. I’m worried, too. I expect that to be even worse than Y2K.

My Review:
First of all you’ll get your money’s worth. Second of all it’s a very long movie. Like two hours and forty-five minutes. The special effects are amazing. The suspense and drama have you on the edge of your seat. It’s one calamity after another as the cast tries to evade each one as the clock winds down. It’s not a very believable story. I don’t think the apocalypse will occur in 2012. I’m a disbeliever. Remember what they said about Y2K. The entire movie is mankind’s battle for survival. Unfortunately only a handful of people are chosen to survive earth’s demise. You have to be well-connected and powerful to get a ticket for one of the seven arks created to withstand the apocalypse. It was a very good action film. And you’ll love the special effects. I highly recommend seeing this movie in a theater so you can get the full experience of watching the earth fall apart. I give this movie 3 and half stars out of five. You won’t be disappointed.

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Roger Ebert’s Movie Review

Law Abiding Citizen

/ / / October 14, 2009

Cast & Credits
Nick Jamie Foxx
Clyde Gerard Butler
Dunnigan Colm Meaney
Jonas Bruce McGill
Mayor Viola Davis

Overture Films presents a film directed by F. Gary Gray. Written by Kurt Wimmer. Running time: 108 minutes. Rated R (for violence and torture).

by Roger Ebert

“Law Abiding Citizen” is a taut thriller about a serial killer in reverse: He’s already in prison when he commits all but one of his many murders, and in solitary for most of that time. So the story is a locked-room mystery: How does he set up such elaborate kills? Does he have an accomplice outside the walls, or what?

Jamie Foxx stars as Nick, the Philadelphia district attorney, and Gerald Butler is Clyde, the ingenious killer. Clyde begins the film as a loving husband and father, but then his wife and daughter are savagely murdered. Nick arranges a plea bargain: One of the guilty men will be executed; the other, in return for his testimony, will get a murder conviction but not death.

Clyde can’t believe this. He saw his family murdered. Both men are guilty. On this everyone agrees. Why is one allowed to live? Because, Nick explains, the case isn’t airtight without the testimony, and if they lose, both men walk free. That’s not good enough for Clyde, who has 10 years to plot, plan and simmer in his hatred. That’s the prologue. I won’t go into detail about what happens next, except to observe that Clyde’s first killing involves his penetration of the Death Row execution chamber itself — and that’s before he’s in prison. Is this guy Houdini, or does he have supernatural powers?

As his methods are uncovered, it’s clear he’s a non-magical human being, but a clever one with remarkable resources. So remarkable, in fact, that they fly in the face of common sense. Movie supervillains have a way of correctly predicting what everyone will do and making their plans on that basis. The explanation of Clyde’s methods is preposterous, but it comes late enough that F. Gary Gray, the director, is first able to generate considerable suspense and a sense of dread.

Foxx and Butler make a well-matched pair in their grim determination. Colm Meaney is underused as Nick’s police partner; we suspect he might be the accomplice, given the Law of Economy of Characters, but perhaps he has a different role to play. Leslie Bibb works well as Nick’s prosecutorial partner, with Regina Hall as Nick’s wife, Annie Corley as the judge who experiences some surprises in her courtroom, and the powerful Viola Davis as the city’s mayor.

“Law Abiding Citizen” is one of those movies you like more at the time than in retrospect. I mean, come on, you’re thinking. Still, there’s something to be said for a movie you like well enough at the time.

My Review
The movie was ok. I give it three out of five stars. The suspense and the action scenes were good. It doesn’t seem like a very believable plot. Not at all. But the chemistry between Jamie Fox and Gerard Butler was good. Their acting skills were pretty good too. I wished for a different ending however. It’s very unbelievable to me because I don’t see how the FBI wasn’t involved and if they were they would have caught Clyde (Gerard) much sooner. I felt like I was watching an episode of Criminal Minds. It’s a good film. You might want to see it in the theater. I didn’t think it was a complete waste of my money. But then again I’m a Gerard Butler fan.

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Synopsis from Rotten Tomatoes
A haunted house makes no secret of the fact it is not pleased with its new tenants in this independent tale of supernatural horror. Katie (Katie Featherson) and Micah (Micah Sloat) are a twentysomething couple who’ve just moved into a new home in San Diego, California. Katie has an interest in the paranormal and believes that malevolent spirits have been following her since childhood, though Micah is not so easily convinced. However, after several nights of loud noises and strange happenings, Micah starts to agree with Katie that some sort of ghost may have followed them to the new home. After a paranormal researcher tells the couple he can’t help them, Micah decides to take control of the situation and sets up a battery of video cameras so that if a spirit manifests itself, he can capture its behavior on tape. Once the surveillance cameras are in place, Katie and Micah bring in a Ouija board in an effort to talk to the spirits, a move that deeply offends the ghosts. PARANORMAL ACTIVITY was the first feature film from writer-director Oren Peli

My Review:
First thing I want to say is that the movie wasn’t scary. Creepy, yes. Nightmare-inducing, No. Next thing I’d like to say is that you can tell the movie only cost 11,000 dollars to make. I found the movie to be rather boring. I mean some scenes were creepy. But for some reason I couldn’t find myself believing it. It was very unbelievable. It just seemed so fake. After the end I was like “That’s it?” I mean I don’t know why so many people are raving about this movie. I don’t know why people think it’s scary and they can’t sleep at night. It didn’t scare me at all. Some scenes did creep me out though. But Blair Witch Project was scarier. As far as horror films go this was a major disappointment. I can go to sleep easily tonight because this movie didn’t affect me at all. I recommend that you don’t waste your money and go see it at a movie theater. Wait until it goes on DVD or cable. If you can watch it for free, even better. It’s not worth your money. It’s not a scary film. The only good thing I can say about this film is that the creators and cast are making millions off of a movie that cost 11,000 dollars or so to make. I give this movie 2 stars out of five. It bored me. And I scare easily. I usually don’t watch horror films because I can’t get the imagery out of my head. I usually have nightmares. But this movie was very tame and not scary at all. Creepy though.

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Movie Review by Roger Ebert:
Surrogates

/ / / September 23, 2009

Cast & Credits
Thomas Greer Bruce Willis
Jennifer Peters Radha Mitchell
Maggie Greer Rosamund Pike
Andrew Stone Boris Kodjoe
Young Canter James Francis Ginty
Dr. Lionel Canter James Cromwell
The Prophet Ving Rhames
Strickland Jack Noseworthy
Bobby Devin Ratray
Colonel Brendon Michael Cudlit

Touchstone Pictures presents a film directed by Directed by Jonathan Mostow. Screenplay by John Brancato and Michael Ferris, based on the graphic novel by Robert Venditti and Brett Weldele. Running time: 88 minutes. MPAA rating: PG-13.

by Roger Ebert

In the future world of “Surrogates,” most of the human population reclines at home without moving, while living vicariously through robot avatars controlled by their minds. They present themselves to the world as younger and more attractive than they really are — and more fit, I assume, since the avatars work out at gyms instead of their owners. No one you meet is really there.

Bruce Willis, looking about 38 and with a healthy mop of hair, stars as Greer, an FBI agent. He and his partner Jennifer Peters (Radha Mitchell) are assigned to investigate a messy murder late one night outside a club, and are astonished to find that the victim is the son of Dr. Lionel Canter (James Cromwell), the inventor of surrogate technology. But wait a minute, you’re thinking. Who dies if only your surrogate is killed? The unsettling answer is that the murder device works by frying the brain of its controller. I hate it when that happens.

Dr. Canter, no longer associated with the corporation that makes surrogates, has indeed grown disillusioned with his invention. As Agent Greer’s investigation continues, it leads him into the world of the Dreads — actual human beings, who reject surrogates and live on “reservations” with other flesh and blood people. The Dread leader is The Prophet (Ving Rhames of the eerie presence), who preaches against avatars as an abomination.

As indeed they are. It’s a relief when something goes wrong with Greer’s avatar and he must venture onto the streets as himself–middle-aged, bald, and looking, I must say, considerably more attractive than his creepy surrogate.

Unfortunately, “Surrogates,” while more ambitious than it has to be, descends into action scenes too quickly. Why must so many screenplays reduce their ideas to chases and shoot-outs? The concept here, based on a graphic novel by Robert Venditti and Brett Weldele, would lead naturally to intriguing considerations.

Consider plastic surgery. To what extent is Joan Rivers a 76-year-old woman inhabiting a 56-year-old avatar? Consider the problem of sex. After two attractive people meet, flirt and desire to have sex, there are two possibilities: (1) their avatars have some sort of mechanical encounter while their owners, at home, masturbate; or (2) two real people, god forbid, have to discover how the other really looks. Since evolution suggests that we evaluate potential mates for their reproductive potential, this could lead to setbacks in the process of natural selection.

In this future world, we learn, surrogates mean that crime and racism have been all but eliminated. If anybody can be of any race, that takes care of racism, all right. But crime? How do those humans who are poor and unemployed pay for their surrogates? What if you decide you want to trade up to a better model? Sure, your surrogate may have a job, but why would salaries be any better? Especially since robots make poor consumers. What process actually takes place when they have a meal together in a restaurant? Can they eat or drink?

Avatars first came into general consciousness by way of computer games and chat boards. It’s well known that someone you meet online may not be who they pretend to be. Surrogates sound like an ideal solution for transsexuals. Don’t go through the surgery, just switch your avatar’s gender. But would that satisfy your hormonal feelings? There are real bodies involved here, and that gets into another issue: If you spend your life reclining, your muscles will atrophy surprisingly quickly, and it will become physically impossible for you to get out of bed and walk, let alone go into action like Bruce Willis does here.

These are areas “Surrogates,” perhaps wisely, doesn’t explore. Such a film might have required a Spike Jonze or Guy Maddin. “Surrogates” is entertaining and ingenious, but it settles too soon for formula. One other thing: It ends with the wrong shot. The correct shot would have been the overhead exterior of the street, about four shots earlier. You’ll know the one I mean.

My Review: It reminded me of the Gerard Butler movie, “Gamer” except in Gamer you can control human beings. In Surrogates you control robots. The action sequences were good. Imagine a world where everyone owns a surrogate and stays at home reclining in a chair controlling and instructing what your surrogate does. Of course there are some areas that don’t use surrogates, but they are a minority. I wouldn’t want to live in a world of surrogates. Surrogates is a 2009 science fiction film, based on the 2005–2006 comic book series of the same name. It was an action flick. The ending was a good one. I don’t know if I got my money’s worth. Well, I haven’t seen Bruce Willis around for a while. I give it 2 and a half stars out of five. You might be better off getting it on DVD.

In 2017, humans live in near-total isolation, rarely leaving the safety and comfort of their homes, thanks to remotely-controlled robotic bodies that serve as “surrogates,” designed as better-looking versions of their human operators. Because people are safe all the time, and damage done to a surrogate is not felt by its owner, it is a peaceful world free from fear, pain, and crime

-wikipedia

I can’t really conceive a world like that even with surrogates. I don’t buy that such a world could exist with those remote-controlled robots. Just isn’t believable to me.

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Movie Review by Roger Ebert

The Informant!

BY ROGER EBERT / September 17, 2009

Cast & Credits
Mark Whitacre Matt Damon
Brian Shepard Scott Bakula
Robert Herndon Joel McHale
Ed Herbst Patton Oswalt
Ginger Whitacre Melanie Lynskey
Kirk Eddie Jemison

Warner Bros. presents a film directed by Steven Soderbergh. Written by Scott Z. Burns, based on the book by Kurt Eichenwald. Running time: 108 minutes. Rated R (for language). Opening today at local theaters.

By Roger Ebert
Mark Whitacre was the highest-ranking executive in U.S. history to blow the whistle in a case of corporate fraud. He ended up with a prison sentence three times longer than any of the criminal executives he exposed. To be sure, there was the detail of the $9 million that he embezzled along the way for his personal use. What we discover toward the end of “The Informant!” may help explain that theft, although he apparently didn’t want that used in his defense.

Whitacre, persuasively played by Matt Damon in Steven Soderbergh’s new thriller, was a top vice president of Archer Daniels Midland in Decatur, one of the 50 largest corporations in America. Sprawling at the edge of the small central Illinois city, it is surrounded by miles of soybean fields, and if you buy Japanese tofu at Whole Foods, it probably passed through ADM on its way to Japan. It’s also involved in several other crops, produces sweeteners, sells ethanol.

Whitacre knew that ADM and its competitors were engaged in global price-fixing that cost consumers billions. This largess was passed on invisibly to executives and stockholders, yet created a surprisingly small footprint in central Illinois, Yes, executives lived in very nice houses (Soderbergh shot in Whitacre’s mansion in tiny Moweaqua, Ill.) but they were low-profile, compared to Manhattan high-rollers, and ate at the local restaurants just like ordinary folks.

The story unfolds as Whitacre is put under pressure to discover the source of contamination, possibly industrial sabotage, in one of ADM’s operations. He engages in unofficial conversations with key competitors overseas and thinks he may be onto something. Then FBI agents from Decatur swoop down as part of an espionage probe. He clears himself, but as the agents (Scott Bakula and Joel McHale) are leaving, he calls after them.

He has something he wants to say. They’re blindsided. He tells them ADM has been fixing prices for years, that he has been involved, that he has details and wants to clear his conscience. His wife Ginger (Melanie Lynskey) helped him arrive at the decision to do the right thing.

The FBI recruits him as an informant, taps phones, teaches him to wear a wire and even videotapes price-fixing meetings, building an airtight case. Eventually three officials, including vice chairman Michael Andreas, son of the founder, were found guilty; the company was fined $100 million and paid another $400 million in a class action lawsuit.

If only it were that simple, “The Informant!” might have been a corporate thriller like Michael Mann’s “The Insider” (1999), with Russell Crowe as a whistle blower in the tobacco industry. But during the investigation, Whitacre reveals himself as a man of bewildering contradictions. Who would think to attempt an embezzlement and phony check-cashing scheme while literally working under the noses and at the side of FBI accountants? What was the full story of the industrial espionage he halted? Did he really expect that by exposing those above him, it would clear the way for him, one of the key price-fixers, to take command of the company?

What did Whitacre think about anything? Not even his wife was sure. All is explained, sort of, in “The Informant!,” and as Soderbergh lovingly peels away veil after veil of deception, the film develops into an unexpected human comedy. Not that any of the characters are laughing.

“The Informant!” is fascinating in the way it reveals two levels of events, not always visible to each other or to the audience. A second viewing would be rewarding, knowing what we find out. Matt Damon’s performance is deceptively bland. Whitacre comes from a world of true-blue Downstate people, without affectations, surrounded by some of the richest farmland in the world. His determination to wear the wire leads to situations where discovery seems inevitable, but he’s seemingly so feckless that suspicion seems misplaced. What he’s up to, is in some ways, so very simple. Even if it has the FBI guys banging their heads against the wall.

Mark Whitacre, released a little early after FBI agents called him “an American hero,” is now an executive in a high-tech start-up in California and still married to Ginger. Looking back on his adventure, he recently told his hometown paper, the Decatur Herald and Review, “It’s like I was two people. I assume that’s why they chose Matt Damon for the movie, because he plays those roles that have such psychological intensity. In the ‘Bourne’ movies, he doesn’t even know who he is.”

My Review:
It’s based on a true story. It was comical at times. The character Matt Damon plays, Mark Whiteacre is rather funny. He says the most random things at times. It wasn’t an action movie. It was more drama/comedy. We were either going to see this or Bruce Willis’ “Surrogates.” This won more votes because Matt Damon was in it and well we like Matt better than Bruce. hehe. The film was a little dry. It was different to see Matt Damon playing this geeky Biochemist turned VP for ADM. I’m used to seeing him in the Bourne movies. I think Matt was hoping this could be an Oscar-nominated performance. But his acting was rather bland. The character is rather bland although sometimes witty and comical. As the movie progresses you discover that Mark Whitacre suffers from mental illness. I’ll stop there. It was an interesting movie based on a true story. I don’t know if I got my money’s worth, but I give it 3 stars out of five. You might be better off watching it on DVD or cable. It wasn’t spectacular. But it had it’s moments.

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Review from DVDtown.com

GAMER is a 2009 science fiction action thriller film written and directed by Mark Neveldine and Brian Taylor. The film stars Gerard Butler as an unwilling participant in an online game in which participants can control human beings as players.

After directing the frenzied CRANK, Mark Neveldine and Brian Taylor helm another adrenaline-fueled film with this thriller. 300’s Gerard Butler stars as Kable, a man living in a near-future dystopia driven by online games. Kable is the world’s best player at its biggest game, where players take control of real people, but the competition really begins when he tries to fight the system itself.

In 2034, mind-control technology has taken society by storm, and a multiplayer on-line game called “Slayers” allows gamers to control human death row prisoners in mass-scale deathmatches. Any inmate who lives through 30 matches wins his freedom. Simon (Logan Lerman) controls Kable (Gerard Butler), the on-line champion of the game, having won 27 matches and lived through them all. With his every move tracked by millions, his ultimate challenge becomes regaining his identity and independence by defeating the game’s mastermind (Michael C. Hall) through launching an attack on the system that has imprisoned him.

DreadCentral.com awarded Gamer four out of five, saying “Gamer is a top of the line action/terror trip with more exploding carcasses than the latest installment of Rambo.”

Theatrical Review by Tim David Raynor
Imagine if you will a plot that takes a male convict, places him in a violent shooter game, and if he survives he will receive freedom from incarceration. Sounds kind of familiar, doesn´t it? Well, any sci-fi, action enthusiast should be familiar with the 1987 Arnold Schwarzenegger film “The Running Man,” and in Mark Neveldine´s and Brian Taylor’s 2009 film “Gamer” we get the same basic plot. However, this fresh monster is equipped with new twists, turns, technology, and all the shallow substance and style we are all too familiar with in new-millennium action films. Yes, I´m sure you know what that means: Get ready for a good-old, handheld, shaky camera, high-speed film, and gritty dark contrasts. As if we have not seen enough of this particular style, “Gamer” goes so completely over the edge with it that you tend to forget there is a story in there somewhere.

What story line we do get unfolds in a unique mess of style over substance, yet it can never make up its mind what that substance is. There are times the film is outright corny and times it is trying to be something genuine and meaningful. Not to mention, the action is quick, brutal, intense, and downright disgusting (which ought to please the heart of any action lover). Nonetheless, I couldn´t help but notice how this film is geared at a younger, male-adult audience. There´s plenty there for the video gamer to enjoy, along with tangible connections to cyber porn just in case the action sequences are not enough. Therefore, what you have is a film that looks genuine enough to satisfy and entertain, yet is a mess poorly constructed and delivered.

“Gamer,” of course, is set in the near future where gaming itself has taken a new leap in technology. Instead of playing a game where you control a computer animation, as we are all used to, one human gets to control another human. You can choose to be the human inside the game being controlled or be the player controlling another real, live person. We learn quickly how it was created by its inventor, Ken Castle (Michael C. Hall), through the use of nanotechnology. As you can imagine, Ken Castle turns out to be the villain in the plot, much like Damon Killian (Richard Dawson) from “The Running Man.” Sure, one is a game-show host while the other is a mad scientist bent on mind control over the human race. What doesn´t work in comparison is that Ken Castle is horribly written and talks like white trailer trash, which I wasn´t buying for a second.

Our hero, Kabel (Gerard Butler of “300″), is a convicted murderer who is forced to play a game created by Ken Castle called “Slayer.” The game is a violent shooter that takes place in a rundown city grid that is overshadowed by a dark future. If Kabel can survive the allotted number of game sessions, he will be set free for life. However, Kabel is not alone in his survival as he is controlled by a seventeen year-old boy named Simon (Logan Lerman). Simon has all the virtual reality luxuries of any spoiled geek, and the mystery is how did he get them? I mean, you never see his parents, nor do you know if he has any. The problem is, if you think too much about it, you´ll probably want to walk out of the theater. And did I mention the action takes place in a city grid in a clichéd dark future? For some reason I kept thinking of a similar movie from 1987…could it be?…nah, forget I mentioned it.

Along the way, we run into other characters that add subtle interest to the shaky plot. Kabel does have a love interest, Angie (Amber Valletta), who works as a game character in a sim-type game known as “Society.” This is where the film plays into erotic, sexual fantasies, as sex is the only thing game players seem interested in doing. Well, I must admit, it does give a whole new meaning to cyber sex. We also get Kyra Sedgwick as a media whore named Gina Parker Smith. Her job is no more than window dressing to the storyline since she never seems to add much, other than to be somewhat annoying. She´s the star of her own popular talk show, but her acting chops are as predictable as they are hackneyed. It´s unfortunate because I do like Kyra, and I just can´t figure why she would commit to such a lowball movie.

My Review
It was a non-stop action movie that takes place in a futuristic setting of a world where people can control other people. It’s like the SIMS game, except you’re actually controlling real people. There are two games you can play. Society, which is very much like SIMS with a Rave theme and lots of sex and possibly drugs. Then there’s the game Slayers. That game is full of prisoners from penitentiaries in the USA. It’s a survival game. You control your player to stay alive while they all try to kill each other off. There are 30 game sessions in Slayers. If your player makes it through to the 30th game he’s fully pardoned and becomes a free man. Gerard Butler plays Kable in Slayers. He’s in there for first degree murder. His wife is in Society. Their daughter is with a foster family. Anyway, Kable is hugely popular when the movie starts because he’s made it to session 27. Most prisoners die much earlier than that. He’s controlled by a 17 year old boy. They can control people because of nanos. They implant them in your brain and that’s how people can link up to you through computer technology. Anyway, there’s a plot to make sure Kable never makes it free to 30. There’s a resistance group called Humans who are trying to take down these games and they try to help Kable. I’ll stop there.
We watched it because there wasn’t much of anything else to watch at the moment. It was the only movie we could all agree on. hehe. I remember Gerard Butler from 300 where he was amazing. Here he looked like Russell Crowe. Seriously. The action sequences were very good. If you like action you’ll like this film. There was a scene with Castle, the creator of the Nanex and the games where he was singing Frank Sinatra’s “I’ve got you under my skin” while controlling like six to eight warriors/fighters. It was rather strange. The whole concept was rather strange. I thought it was cultural commentary on the current gaming society today. Geeky gaming freaks basically. I do hope that this nano technology never develops in the future. Imagine a world of controlled slaves. *shudder*

I liked the film because it was action-packed and kept me riveted in my seat. The special effects were awesome. And I liked the ending. I give it 3 and a half stars out of five. I don’t know if I’d recommend going to the theater to see this film unless you want the big screen experience. You could wait until it goes to DVD or Cable. Gerard Butler could be Russell Crowe’s brother. hehe. Seriously. He’s totally badass. Kyra Sedgwick is in it playing a journalist. It was nice to see her around again. Amber Valetta plays Kable’s wife. I’m not too familiar with her.

To be honest I wouldn’t have watched that movie on my own. It’s just that my friends and I wanted to do something and that got the most votes. lol. The action scenes, which was absolutely throughout the film, were very good. And Gerard Butler is a cutie. hehe

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